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Happy Together - Glücklich vereint?
Zur Dimension von Globalisierung und Nationalkinematografie im Hongkong Film
- von Carmen Sztob
VI. Literatur
Abbas, Ackbar (2001) Hong Kong: Culture an the Politics of Disappearance. Minneapolis: Minnesota Press.
Appadurai, Arjun (1996) Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: Minnesota Press.
Busche, Andreas (2003) "Die Schlange im Schatten des Adlers". In: Die Tageszeitung, 15.05.2003, S. 15.
Lo, Kwai-cheung (2001) "Transnationalization of the Local in Hong Kong Cinema of the 1990s". In: Yau, Esther (Hrsg.), At Full Speed: Hong Kong Cinema in a Borderless World. Minneapolis: University of Minnesota Press, S. 261-276.
Negri, Antonio (1999) "Value and Affect". In: boundary 2, Nr. 2, Sommer 1999, S. 77-88.
Shohat, Ella / Stam, Robert (1996) "From the Imperial Family to the Transnational Imagery: Media Spektatorship in the Age of Globalisation". In: Wilson, Rob / Dissanayake, Wimal (Hrsg.) Global/Lokal: Cultural Production and the Transnational Imagery. Durkham: Duke University Press, S. 145-170.
Strokes, Lisa Odham / Hoover, Michael (1999) City on Fire: Hong Kong Cinema. London: Verso.
Umrad, Ralph (1997) Film ohne Grenzen: Das neue Hongkong Kino. Lappersdorf: Kerschensteiner Verlag.
Wong, Cindy Hing-Yuk (1999) "Cities, Cultures and Cassets: Hong Kong Cinema and Transnational Audiences". In: Post Script, Jg.19, Nr.1, S. 87-106.
Yau, Esther (1994) "Border Crossing: Mainland Chinas's Presence, in Hong Kong Cinema". In: Browe, Nick (Hrsg.) New Chinese Cinemas: Forms, Identities, Politics. Cambridge: Cambridge Universitiy Press, S. 180-201.
Yau, Esther (1997) "Ecology and Late Colonial Hong Kong Cinema: Imaginations in Time". In: Law, Kar/Teo, Stephen (Hrsg) Fifty Years of Electric Shadows. Hong Kong: Urban Council, S. 100-114.
Yau, Esther (2001) "Hong Kong Cinema in a Borderless World". In: dies. (Hrsg.), At Full Speed: Hong Kong Cinema in a Borderless World. Minneapolis: University of Minnesota Press, S. 1-28.
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